Provenance
Tolarno Galleries, Melbourne
Private Collection, Melbourne
“Piccinini’s Giblets (2000), individually painted automotive parts that resemble strange, abstracted bodily organs, further the analogy between truck and human baby.” (Rachel Kent, “Fast Forward: accelerated evolution” in Patricia Piccinini: Call of the Wild, ext. cat., Museum of Contemporary Art, Sydney, 2002, pp. 6, illus. pp. 24)