Apology to Roadkill, Barrier Highway I, 2007
C-type print, number 2 from an edition of 5
90 x 90 cm (image); 114.5 x 114 cm (framed)
signed, dated, inscribed with edition number and title 'Apology to Roadkill, Barrier Highway I' 2/5 Shaun Gladwell 07' (on the reverse)
Sherman Galleries, Sydney
Acquired from the above by the present owner in December 2007
Another examples of the edition
Shaun Gladwell – Maddestmaximvs, Sherman Galleries, Sydney, 30 November – 22 December 2007
Maddestmaximvs, Australian Pavilion, 53rd La Biennale di Venezia, Italy, 2009
C Christov-Bakargiev & B French, Maddestmaximvs – Shaun Gladwell,, Schwartz City, 2009, illus. p.5
Image courtesy of the artist & Anna Schwartz Gallery
Shaun Gladwell is one of Australia's leading artists in video and time-based media, celebrated for his explorations of site and the body in motion, the Australian landscape and popular culture. At the completion of his MFA at Sydney's College of Fine Arts, a Samstag scholarship took the artist to London where his fellowship at Goldsmith's College, University of London in 2002 backed onto a residency at the Cite Internationale des Arts in Paris.
The solo exhibition Kickflipping Flaneur at Artspace, Sydney in 2000 is seen as the breakthrough moment of Gladwell's career. He featured in the Bienial de Sao Paulo Brazil, 2006 and, in 2007 was included in the Robert Storr exhibition at the 52nd Venice Biennale, Think with the senses, feel with the mind - art in the present tense. This is remembered as a paradigm shift for the reception of video art by a contemporary Australian artist; a defining moment that saw a single-channel video with sound seriously regarded as a seminal work of its time and a new addition to the Australian canon. Gladwell further exhibited in the Australian Pavilion at the Venice Biennale in 2009. That year he also travelled to Afghanistan as Australia's official war artist.
In 2019, the Museum of Contemporary Art, Sydney, staged the major solo exhibition Shaun Gladwell: Pacific Undertow, Gladwell's largest solo exhibition to date. His most recent innovations have been with virtual reality, including the work Orbital Vanitas (2017) which placed viewers inside a skull orbiting the Earth. Orbital Vanitas premiered at the Sundance Film Festival (2017) and was selected for the Cannes Film Festival (2017).