Rosalie Gascoigne

Tesserae W, 1991
sawn soft drink crates
43.5 x 36.0 cm
titled, signed and dated 'Tesserae W/Rosalie Gascoigne/1991' (on the reverse)

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Provenance
Roslyn Oxley9 Gallery, Sydney
Private collection
auction, Christie’s, Melbourne, 27 November 2001, lot. 21
Acquired from
the above by the present owner

Exhibited
Rosalie Gascoigne, Roslyn Oxley9 Gallery, Sydney, 15 April – 2 May 1992, cat. no. 40. 

Literature
Vici Macdonald, Rosalie
Gascoigne
, Regaro Pty Ltd, Sydney, 1998, p.106.



Tesserae, (singular
tessera), a Latin word, refers to a small block of stone, tile, glass or other material used in the creation of a mosaic.  Tesserae W forms
part of a series of works of the same title, created between 1989–1991. Constructed using discarded soft-drink crates collected en-masse from the Schweppes depot in Queanbeyan in the early 1980s, Tesserae W was first shown at Roslyn Oxley9 Gallery, Sydney in
1992.

An impressive example of her use of Modernist strategies – ‘those of fragmentation, re-assemblage, repetition, tessellation and compression…’[1], Tesserae W encapsulates key aspects of Gascoigne’s artistic practice. Sawn and deliberately proportioned fragments are arranged into a grid, creating a rhythmic pattern that transcends the spatial and substantive limitations of the plane to evoke a sense of place.
 Expressing her preference for allusion over direct representation, a palette of red, yellow and white imbues this work with an energy and exuberance that echoes the infinite expansiveness of a sunset sky.

[1] Edwards, D., Rosalie Gascoigne: Material as Landscape, exhibition catalogue, 14 November 1997 – 11 January 1998, The Art Gallery of New South Wales, Sydney, 1998, p.11.



Rosalie Gascoigne, Tesserae W

Image courtesy of the Rosalie Gascoigne Estate and Roslyn Oxley9 Gallery, Sydney


View artist profile

Re-invigorating the landscape tradition with a personal abstract style, Gascoigne's work was inspired by the nature of Australia's vast open spaces. Her intuitive and poetic exploration of the Australian environment is expressed in simple modernist techniques of assemblage, de-assemblage, fragmentation, repetition and patterning and, her signature combination of lyricism and order enabled her to explore numerous possibilities within the language, history and culture of her materials.

Gascoigne was born in 1917 in Auckland, New Zealand. She graduated from Auckland University in 1939 and moved to Canberra, ACT in 1943. Her artistic career spanned over 30 years, launched at the age of fifty by the support of the then National Gallery of Australia director, James Mollison. Gascoigne held her last solo exhibition at Roslyn Oxley9 Gallery, Sydney just months before her death in 1999.

In 1982 Gascoigne represented Australia at the 40th Venice Biennale with Peter Booth. Since that time she has been included in many important group exhibitions and solo survey exhibitions in Australia, New Zealand and Europe; such as, at the National Gallery of Victoria, Melbourne, 2009; Wellington City Gallery, Wellington, New Zealand, 2004; Drill Hall Gallery, Australian National University, Canberra, 2000, and with the major survey 'Material as Landscape', Art Gallery of New South Wales, Sydney, 1997 touring to the National Gallery of Australia, Canberra, 1998. Gascoigne's work is held in every state collection in Australia and many regional collections. The artist's estate is represented by Roslyn Oxley9 Gallery, Sydney.