SOLD
Provenance
Roslyn Oxley9 Gallery, Sydney
Private collection
auction, Christie’s, Melbourne, 27 November 2001, lot. 21
Acquired from
the above by the present owner
Exhibited
Rosalie Gascoigne, Roslyn Oxley9 Gallery, Sydney, 15 April – 2 May 1992, cat. no. 40.
Literature
Vici Macdonald, Rosalie
Gascoigne, Regaro Pty Ltd, Sydney, 1998, p.106.
Tesserae, (singular
tessera), a Latin word, refers to a small block of stone, tile, glass or other material used in the creation of a mosaic. Tesserae W forms
part of a series of works of the same title, created between 1989–1991. Constructed using discarded soft-drink crates collected en-masse from the Schweppes depot in Queanbeyan in the early 1980s, Tesserae W was first shown at Roslyn Oxley9 Gallery, Sydney in
1992.
An impressive example of her use of Modernist strategies – ‘those of fragmentation, re-assemblage, repetition, tessellation and compression…’[1], Tesserae W encapsulates key aspects of Gascoigne’s artistic practice. Sawn and deliberately proportioned fragments are arranged into a grid, creating a rhythmic pattern that transcends the spatial and substantive limitations of the plane to evoke a sense of place. Expressing her preference for allusion over direct representation, a palette of red, yellow and white imbues this work with an energy and exuberance that echoes the infinite expansiveness of a sunset sky.
[1] Edwards, D., Rosalie Gascoigne: Material as Landscape, exhibition catalogue, 14 November 1997 – 11 January 1998, The Art Gallery of New South Wales, Sydney, 1998, p.11.
Image courtesy of the Rosalie Gascoigne Estate and Roslyn Oxley9 Gallery, Sydney