Louise Hearman

Untitled #418, 1995
oil on board
91.5 x 68.5 cm
signed, dated and titled ‘Hearman 95 cat 418’ (on the reverse)

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Mori Gallery, Sydney
Acquired from the above in 1996

Louise Hearman, Mori Gallery, Sydney, 1996

  • Untitled #418

Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney

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There is something quite unnerving when you view Louise Hearman's paintings. All of a sudden a beautifully painted, somewhat moody dark landscape quickly turns into a backdrop for a sinister, surreal apparition. But what are these floating objects, heads of children and animals indicating to the viewer? It is this irrational and inexplicable characteristic that is the seduction of Hearman's work.

Stemming from a school of artists out of Melbourne who deal with the darker side of life - Albert Tucker, Peter Booth, Bill Henson to name a few - Hearman since her first exhibitions has had the investigation of the bizarre as her primary focus.

Louise Hearman studied at the Victorian College of the Arts, Melbourne and began exhibiting in 1987. Her work has been included in many significant museum exhibitions including: 'Uncanny (the unnaturally strange)', Artspace, Auckland, 2006; 'Fieldwork: Australian Art 1968 -2002', National Gallery of Victoria, Melbourne, 2002-2003; 'Uncommon world: aspects of contemporary Australian art', National Gallery of Australia, Canberra, 2000; 'Contempora 5', National Gallery of Victoria, Melbourne, 1999; 'Through a glass darkly', Art Gallery of New South Wales, Sydney, 1995; and, 'Australian Perspecta', Art Gallery of New South Wales, Sydney, 1993. Her work has been collected by state and regional galleries. Hearman is represented by Roslyn Oxley9 Gallery, Sydney and Tolarno Galleries, Melbourne.